Fireside Chats: Episode 2 Transcript

June 29, 2026

Kingdom Creative

Kingdom Creative

From augmentation over automation to the importance of creative thinking, this Fireside Chat explores Kingdom’s perspective on AI and its role in the creative process. Read the transcript below or watch the full video here.

 

00:00:00.040 — 00:00:08.280 · Martyn Cook

We’re not interested in automation. We’re interested in augmentation, how we can make AI an extension of the toolset that’s available to people.

 

00:00:08.320 — 00:00:14.920 · James Wayman

If what you’re making with AI is not grounded in creativity, then ultimately it’s a fruitless exercise.

 

00:00:23.680 — 00:00:49.920 · Lee Hanson

So we’re here today, I’m here with James and Martyn, and we’re going to have a bit of a kind of round-robin chat around the subject of AI. We’re going to touch on a variety of themes and subjects connected to AI specifically, and how, um, you know, we’re kind of considering as part of our process what the wider impact is on the creative industries as well.

So we’re obviously being very cautious in the way that we’re kind of beginning to explore these things and trying to do it in a respectful way.

 

00:00:49.960 — 00:02:03.370 · Martyn Cook

Now, I think that’s exactly right. We’re not pro AI as a blanket kind of policy. We’re certainly not looking to replace things with AI. What we are is very pro-technology. I think focusing on the creative industry in particular, AI is not really that new to us. We’ve been using AI extensively in certain parts of post-production for probably 2 or 3 years now.

Looking forward, it’s obviously going to have more and more of an impact, but I think it’s all about the perspective you approach it with and how you frame it. We’d be much better off looking at it as another solution in the toolkit. We’re not interested in automation. We’re interested in augmentation- how we can make AI an extension of the toolset that’s available to people.

So it’s how it can enable creatives to produce work that’s of a higher standard. Produce it quicker to arrive at the right kind of thinking and decision-making early on. From a business perspective, there’s an opportunity to kind of grow income and revenue as well. But what we’re definitely not looking to do, is take the creative responsibility out of the hands of the highly skilled, trained personnel that we’ve cultivated and grown through the business, to just replace that with AI like that just wouldn’t make any sense to us.

 

00:02:03.410 — 00:02:16.850 · Lee Hanson

And as someone James, who’s obviously been kind of spearheading a lot of the investigation, the exploratory stuff that we’ve been doing recently as one of our designated AI champions, what’s your journey been like so far and what have you kind of what are your thoughts and perspectives on that?

 

00:02:16.890 — 00:03:08.660 · James Wayman

It’s been a really interesting journey getting to understand the different sorts of AI, the different models. I think that when people talk about AI, one sort of idea that comes to mind is that it’s some sort of silver bullet, that it will just solve problems, minimal input. And actually, having explored it, I’m finding more and more I’m having to lean on creative instincts.

I’m having to ensure that authenticity is adhered to. It’s so much more of a granular process to create something that is actually creative, and it is actually worthy of a professional piece. It’s been eye-opening. It’s been illuminating. It’s a very fast-moving technology. There’s advancements and changes every single week.

The biggest learning I’ve taken away from it is, you know, at the end of the day, the job is exactly the same as a creative: you have to create, but the tools are the thing that are changing.

 

00:03:08.700 — 00:03:39.780 · Lee Hanson

I think you just mentioned that a reference the speed at which things are progressing on a daily and weekly basis, and almost keeping abreast of that. It’s almost like a full-time job in itself. And what we’ve noticed as well is, obviously, our clients have expectations on their side that we obviously get to grips, or the industry gets to grips with, the latest trends and working out how we then work that into our responses throughout the kind of creative and production process.

But there’s obviously kind of potential pitfalls there in terms of setting guardrails to make sure that we’re compliant.

 

00:03:39.820 — 00:05:15.430 · Martyn Cook

A bigger agency may well struggle to bring AI through across the board, and I think it’s probably been used much more in silo. I think we hit that sweet spot of we’re a boutique, so we’re small enough that we can roll things out very quickly, but the business is mature enough that we’ve got lots of safeguards and guardrails, as you described it, in place, so that we’re using it appropriately and ethically, and at the centre of that is protecting the IP of our clients, information security being a really high priority for us.

So we’re really conscious of the impact that a misstep or an error could bring. And AI is no different. Like it’s it still requires a human to put an input in at the beginning, like any process. So it’s just being conscious at the outset of understanding where the risk factors are, how you mitigate those risks, and making sure you onboard and educate the team so they’re using the tools in the right way.

All our processes around AI are very much bookended by humans at the very least. And in reality, as James probably attests to, humans come into contact constantly through the process because you don’t just put one prompt in and generate an output at the other end, and it’s, you know, it’s ready to go. It requires that constant fettling and curation of the direction of travel.

All our policies and procedures are based around, not even humans in the loop, but kinds of humans in the lead. An input instigated by a human and at the end sense check by human or multiple humans before it goes anywhere, even across departments. And I think that’s the key. It’s like it’s creating efficiencies within the human workflow, not trying to remove humans from the workflow.

 

00:05:15.470 — 00:05:25.830 · Lee Hanson

Yeah, there’s that constant evaluation as part of the process and that kind of quality control, I guess, throughout. And I think you found that yourself haven’t you James, in terms of some of the projects that you’ve been trialling?

 

00:05:25.870 — 00:06:07.800 · James Wayman

There’s a lot of ways, I think, that it is important to look at AI, particularly with outputs. I think critical thinking is something that is so understated when it comes to AI. Um, these outputs, they need to be scrutinised, they need to be checked. And as well as that, it’s what goes in at the other end. I’ve mentioned earlier about how you need to retain a creative vision with what you’re putting into AI.

You need to make sure that the sources you’re putting in are correct, they’re accurate. You know, you don’t want to be misrepresenting things. You want to retain authenticity at the heart of what you’re making. If what you’re making with AI is not grounded in creativity, then ultimately it’s a fruitless exercise.

 

00:06:07.800 — 00:06:28.080 · Lee Hanson

So obviously what we’re finding as well at the moment, is a lot of the brands that we work with, are kind of looking to us to help inform them around, you know, best practices, how and where and when to adopt the latest technologies, creative stage, production stage. So, you know, obviously that’s different from client to client.

And I just thought it’d be interesting to kind of reflect on that.

 

00:06:28.160 — 00:07:09.130 · James Wayman

There’s some really interesting ways that we see it used across the company even now. So with a lot of the pitching process, we’re seeing that, you know, as employees, we’re really able to pressure test our ideas. We’re able to interrogate them. We’re able to get instantaneous feedback as we go. And when it comes to concepting, actually being able to develop visuals and really pointed, clear, communicated text when we create our pitch decks really allows us to bridge the gap between the understanding of the creative, and the client.

And I think that that’s really, really valuable in presenting those ideas when everyone’s on the same page, everything runs more smoothly.

 

00:07:09.210 — 00:07:14.650 · Lee Hanson

Does that kind of change from client to client in terms of how we respond to their particular needs as well, would you say?

 

00:07:14.770 — 00:07:35.730 · James Wayman

Definitely. I think, you know, when you’ve got a client in mind, it can help with how you interpret that brief as well. That’s part of that whole pressure testing. So, you know, you’re always referring back to exactly what the client wants and just double-checking that everything you’re writing, all of the content that you’re coming up with, is in direct alignment with what the client needs.

 

00:07:35.770 — 00:07:51.250 · Lee Hanson

Yeah. And obviously, for every brand that’s keen to explore things further, there are certain instances that we’re finding now where brands are almost kind of blanket taking the opposite tack. They’re almost kind of caveat briefs with no gen AI. And that’s something that we’re kind of finding more and more.

 

00:07:51.290 — 00:08:39.340 · Martyn Cook

Every brand is different. And I think sometimes to differentiate yourself you have to take certain standpoints. But also there might be very strong ethical reasons why people don’t want to be involved with AI content production, which is brilliant for us because we’ve got a team of in-house creatives and we shoot content.

That’s what we do. We edit content, and equally, if there’s brands that want to explore that, we’re open-minded enough that we can see like a direction of travel. And it again brings that tool into the arsenal. It’s helping us to develop. It’s helping a client to develop. I think anything we do is done with full transparency.

So we’re not using AI. If the client doesn’t know about it, it would all be agreed upfront. There are some clients that are looking to explore it because they can see the obvious benefits on it. Pick a direction, and we’re happy to support and learn with a client on that journey.

 

00:08:39.380 — 00:09:20.500 · Lee Hanson

Yeah, so it’s recognising what’s right for that particular client in that particular audience or that particular name. I think it’d be fair to say that even within our own team, we’re here at Kingdom, you know, there are very fundamentally different perspectives on the role of AI within what we do. And there’s differences of opinion there.

And I think certain people are more kind of happy to embrace it. Some people are a little bit more sceptical, I think you yourself, James, were maybe more on the sceptical side. Maybe you can talk more a little bit more around that. But I think what’s fair to say is that, you know, we’re trying to arm ourselves with more knowledge as we move forward so we can have more of an opinion and more of an educated kind of perspective.

So I don’t know if that’s something that you had any strong feelings of one way or the other.

 

00:09:20.700 — 00:10:08.350 · James Wayman

Yeah. Caveating that I did come into this quite sceptical is quite important because, you know, I came into this exploration of AI from a place where there is obviously a lot of fear around it, there is a lot of white noise. And conversely, I wanted to understand it. I wanted to build up a knowledge so that I could properly be informed about it.

And I think having, you know, gone through several months of experimenting with it, it’s safe to say that there is a lot of nuance around it. I think that there are definitely some use cases for AI that are fantastic. Um, conversely, I think that there are some places that it does fall short. I think that, you know, this is a conversation that’s going to just keep on evolving over time as the technology evolves.

And it will be a fascinating one to watch play out.

 

00:10:09.150 — 00:11:23.080 · Martyn Cook

I don’t think it’s even just like an interesting thing. I think it’s a critical thing to have that difference of opinion amongst the team. So I think it makes you challenge your thinking on whether using AI in a particular way is right. Is it ethical or is it the right choice? Is it the right tool to even utilise in this situation, regardless of the ethics?

Is it actually the right solution in the same way that is, fix it in post the right solution or something like that. So I think having those differences of opinion help challenge the thinking of senior leadership or people pioneering these technologies within the business, with people like you at the forefront in the champions program.

Um, I think by having those people that question it just that a little bit more gives you the right perspective and the right framing to approach things correctly. And that pause for thought moment where the line from Jurassic Park, ‘they were too busy wondering whether they could. They didn’t think to consider whether they should.’

And it’s kind of a moment like that where it’s kind of, is this the right thing to do? Have we thought this through correctly, and what are the wider implications of it? And I think with that, that’s how you kind of develop a mature approach to anything. But certainly the technology that’s moving so quickly, that kind of internal reflection, uh, is, is key to making sure we build the right processes.

 

00:11:23.080 — 00:11:37.400 · Lee Hanson

We’ve talked quite a bit about, you know, what we’ve been doing over the past few months. Um, but kind of looking ahead and, you know, obviously that’s part of a bigger plan and a kind of longer-term vision. I don’t know if that’s something that you’d like to kind of expand upon, Martyn?

 

00:11:37.400 — 00:12:39.280 · Martyn Cook

2026 was designated as like our key kind of turning point in AI with, uh, we were dabbling in silo with bits and pieces of technology, a lot of it off the shelf. Um, not necessarily particularly structured, and certainly nothing that was touching any final client outputs. 2026, that was all changed.

And we’ve laid out a full roadmap of our journey in AI, how we use it ethically, how we use it appropriately and how we use it creatively as well. And that’s been driven by our AI champions, who are a group of kind of early adopters who are pioneering tools and testing them out, or even establishing whether a route isn’t the route we want to go.

It’s kind of like a hot house kind of testbed to work out what works for us and what doesn’t work for us. That’s all part of laying the key foundations of what AI really will be for us at Kingdom, and those cornerstones and frameworks of how we operate, so that then we get it right as new tools come on board.

And we also don’t lose where we came from and affect the body of work that we’ve built up to this point.

 

00:12:40.120 — 00:13:03.040 · James Wayman

I mean, it’s fair to say that with Kingdom’s body of work, I’m surrounded by colleagues that just make some absolutely amazing stuff. And I think with the AI champions program and what we’re building towards with the roadmap, it’s finding the best way that we can integrate AI in a way that complements it, doesn’t circumvent it, fits into that process, and it helps uplift this amazing content that my colleagues deliver.

Back to all

News

A Milestone Year for Shona

July 6, 2026

This year marks 10 years at Kingdom for Shona Murray Smith. And she’s marking it in the best possible way, stepping into her new role as Head of Production.

Read more

Raising the Level, One Edit at a Time.

May 29, 2026

Some people just raise the level. Courtney is one of them.

Read more

Celebrating 25 Years of Kingdom Creative

April 1, 2026

This year marks 25 years of Kingdom Creative.

What started with a passion for motorsport has grown into a creative video agency trusted by brands around the world to capture stories that move people.

Read more

Giving Back for International Women’s Day

March 11, 2026

For International Women’s Day 2026, the theme is Give to Gain, and this year, we wanted to do something positive for both the industry and the local community.

Read more

Kicking Off 2026 with a Double Promotion

January 12, 2026

We’re starting the year by celebrating two well-earned promotions across the Kingdom team.

Read more

Two Charities, One Very Kingdom Christmas

December 22, 2025

This Christmas, the Kingdom team pulled together to support two causes that matter.

Read more

Rising Star Nomination for Kingdom Creative

October 20, 2025

Culture isn’t an afterthought at Kingdom Creative, it’s the engine that drives everything we do. As a leading video production company, we know that high-performing teams are the secret behind work that moves people. That’s why we’re proud to share that we’ve been shortlisted for the Rising Star Award at the People Pulse Awards 2025.

Read more

Kingdom Creative Hosts Future Filmmakers from Barnfield College

October 7, 2025

Recently, we welcomed two groups of Media students from Barnfield College for a one-day, hands-on workshop that gave them a real taste of life at a busy film production agency.

Read more

Kingdom Wins Big at the 2025 International Motor Film Awards

October 3, 2025

We did it.

Hesketh Racing – The Rebel Spirit has taken home Best Documentary Episode at the 2025 International Motor Film Awards.

Read more

Lee Hanson Joins Kingdom Creative as Creative Director

September 15, 2025

Kingdom Creative is growing its creative firepower. Lee Hanson joins as Creative Director, bringing years of experience, a fresh perspective, and a track record of turning bold ideas into award-winning campaigns.

Read more

Two Nominations, One Night: 2025 International Motor Film Awards

September 3, 2025

We’re excited to shout about how Kingdom has been nominated for two awards at the 2025 International Motor Film Awards, the ultimate car film festival and one of the world’s most prestigious events for the automotive film and television industry.

Read more

James Lewis: From Production Assistant to Assistant Producer

August 20, 2025

James Lewis, our resident Welshman, has been promoted to Assistant Producer!

Read more

Kingdom Summer Party: Sun, Sea & Thrills

August 8, 2025

Summer may be winding down, but one day in particular is still making waves.

Read more

Double the Creativity: Promotions for Adam & Harrison

July 14, 2025

Two of Kingdom’s finest have levelled up. In June 2025, both Adam Lewis-Dragstra and Harrison Hopton were promoted to Senior Creative.

Read more

Lights, Camera, Insight: Introducing the Kingdom Blog

July 1, 2025

We’ve launched the Kingdom blog – a space for bold ideas, real insight, and straight-talking advice on making content that actually works. From automotive storytelling to brand film essentials, we’re sharing what we’ve learned from doing the work – and we’re just getting started.

Read more

Meet George Hill: A Man of Many Stories (and 10,000 Kick-Ups)

June 17, 2025

We’re excited to welcome George Hill to Kingdom as our newest Producer – a seasoned factual storyteller whose career has taken him from the skies of Alaska to the depths of undiscovered tombs.

Read more

Mollie: Kingdom’s New Marketing Manager

May 18, 2025

We’re excited to announce that Mollie Redmond joins Kingdom as our new Marketing & New Business Manager in May 2025.

Read more

Sophie Connor Takes the Lead at Kingdom

September 1, 2024

Sophie Connor steps into the role of Managing Director at Kingdom, bringing sharp commercial insight and big ambitions for our next chapter.

Read more

Insights

The Game Didn’t End at Full Time. It Moved Online.

July 16, 2026

Well, it seems my series of World Cup blogs has come to an abrupt (and frankly, disappointing) finale…

Read more

When the World Cup Stops Following the Script

July 9, 2026

There is something about the 2026 World Cup that has made it feel more open, more emotional, and far less predictable. Even when the favourites still come through, there have been enough moments where the script wobbles that you start to sense something else is just around the corner.

Read more

AI in Creative: Move Fast, or Think First?

June 26, 2026

AI is moving fast. But does that mean you should rush in? In Episode 2 of our Fireside Chat series, we slow things down to think properly about it.

Read more

A Lesson in Storytelling from the Uruguay Manager and a Cool Box

June 23, 2026

Late Sunday night, in a house that was far too warm to sleep in, we ended up watching Uruguay vs Cabo Verde.

Within minutes, I was doing what I always do. Firing questions across the sofa at my boyfriend. Who’s the stronger team? Who should I be watching? Is Vozinha the oldest player in the tournament?

Eventually, we landed on the managers. And that’s where things got interesting.

Read more

Learning from Motorsport to Win in Business

May 11, 2026

As Kingdom turns 25, Founder Simon and Managing Director Sophie take time to reflect on the journey so far, and the thinking that’s shaped it.

Read more

Kit Cabinet: How an Orbital Rig Turned a Store Launch into Cinema

March 20, 2026

When a new store opens, it’s easy to follow a familiar formula. For this project, we took a more cinematic approach, using an orbital rig to create seamless movement and a distinctive visual flow. In this edition of our Kit Cabinet series, we explore how that approach helped bring the space to life.

Read more

Kit Cabinet: The Quickest Tracking Car Ever?

January 19, 2026

Kit Cabinet is a new series looking at how tools, rigs, and techniques perform when things get difficult. Real-world shoots, tight margins, and no room for error. It’s about the decisions made under pressure, how creative rigging solves problems on the day, and how those choices shape the final film.

Read more

Why Your Sports Brand Isn’t Building Loyalty (Yet)

October 20, 2025

Another ad. Another product. Same promise.

The sports and lifestyle market is more crowded than ever, and audiences are tuning out. For marketing leaders chasing long-term brand impact, loyalty has become the real measure of success.

Read more

The Athlete Stories Your Brand Can’t Afford to Ignore

September 15, 2025

What keeps your eyes glued to a sports film? A lifeless product shot with rolling stats? Or following an athlete fighting their way back from injury, pushing themselves harder than ever, just to get back on the field?

Read more

Our Tip for Marketers Looking to Make Videos That Actually Get Shared

September 1, 2025

Isn’t it frustrating when you’ve spent precious time and precious budget producing a beautiful brand film, and the only people sharing it are your own marketing team? (Shout-out to all social media managers who like their own posts before anyone else does – you’re not alone!) You know the video is good. You know it tells a story. So why isn’t anyone hitting the share button?

Read more

Think Before You Film: The 5 Creative Tensions Every Brand Film Must Navigate

July 30, 2025

The strategy behind the story is what makes it land.

The difference between a brand film that lands and one that falls flat? How it navigates five key creative tensions from day one.

Read more

Hook Fast, Stay Longer: Cracking the Attention Code in Automotive Video

June 30, 2025

Snap Their Attention. Keep Their Time.

People scroll fast, but it’s not short attention spans that hurt brands; it’s whether your content connects. That’s what wins, every time.

Read more

We are

Made to

ENGAGE

Orange O Shape

Ready to start your next project?

Welcome to Kingdom.

Start your project

Guts And Glory