A Lesson in Storytelling from the Uruguay Manager and a Cool Box

June 23, 2026

Mollie Redmond

Mollie Redmond

Marketing & New Business Manager

Late Sunday night, in a house that was far too warm to sleep in, we ended up watching Uruguay vs Cabo Verde.

Within minutes, I was doing what I always do. Firing questions across the sofa at my boyfriend. Who’s the stronger team? Who should I be watching? Is Vozinha the oldest player in the tournament?

Eventually, we landed on the managers. And that’s where things got interesting.

“Did you know the Uruguay manager always sits on a cool box?”

I honestly thought I’d misheard him.

But a few minutes later, the camera panned to the dugout, and there he was. Marcelo Bielsa. Completely unfazed. Sat on a Powerade cool box like it was the most normal thing in the world. Naturally, I assumed there was some sort of sponsorship behind it. It felt too neat. But no, it turns out it’s just one of his quirks.

A bit of digging later, and it becomes clear it wasn’t random at all. Bielsa has long struggled with back pain, but the habit really took shape during his time at Marseille, where the dugout sat below pitch level and made it difficult to properly see the game. Sitting on a cooler gave him both comfort and a clearer vantage point, so he made the adjustment.

And then he stuck with it.

What began as something purely practical followed him everywhere, turning into a quiet, consistent detail that people began to notice. By the time he reached Leeds, it had become iconic enough to turn into a custom bucket, with fans even buying their own versions. A small habit, repeated enough times, became something people instantly associate with him.

And that’s when it clicked: this is storytelling.

Not something scripted or over-produced. Just a simple detail, repeated often enough that it starts to carry meaning.

Because now, that cool box tells you something about him. How he sees the game. How he works. How he shows up.

You don’t need a voiceover explaining it. You just see it: visual, distinct, instantly recognisable on camera. Bielsa probably isn’t thinking about his “brand”, or the story he’s telling at all. But it’s already there.

What this teaches us about storytelling

The best stories aren’t always the biggest or the loudest; they’re the clearest. They give you something simple to hold onto, a detail that keeps showing up until it becomes part of the story itself. You don’t need to explain everything. In fact, the more you explain, the less people feel. What matters is choosing the right detail and showing it consistently enough that people start to recognise it and attach meaning to it without being told.

  • The story lives in the detail, not just the headline
  • If people can’t see it, they won’t remember it
  • Repetition builds recognition, and recognition builds meaning
  • The simplest idea is often the one that sticks

Why it works so well on camera

What makes Bielsa’s “cool box” so powerful is that it’s visual.

You don’t need context. You don’t need an explanation. You just see it. And that’s exactly how strong film works.

It’s not about saying everything. It’s about showing one thing clearly enough that it sticks. A repeated shot. A recognisable detail. A moment that becomes familiar.

The smallest details are often the ones that land the hardest on screen. They’re the things people notice, the things they talk about, and the things they remember long after everything else fades.

It’s the same reason the best sports films don’t just show performance; they focus on the small, human details beneath it. The habits, the rituals, the moments that reveal something real. Because that’s what people connect with. And once they see it, they don’t forget it.

Which makes it even more surprising that no brand has stepped in yet. Because right now, Bielsa’s still sitting on someone else’s cool box…


When your brand shows up on screen, what’s the one detail people remember, and are you showing it clearly enough? If you’re not sure, we can help you find it. Get in touch.

Photo Credit: EFE

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